It's little wonder that so many wistful songs have been penned over the years about France's capital, Paris . Few cities leave the visitor with such vivid impressions, whether it's the drifting cherry blossoms in the tranquil gardens of Notre-Dame, the riverside quais on a summer evening, the sound of blues in atmospheric cellar bars, or the ancient alleyways and cobbled lanes of the historic Latin Quarter and villagey Montmartre.
Paris has no problem living up to the painted images and movie myths with which we're all familiar. Indeed, the whole city is something of a work of art. Two thousand years of shaping and reshaping have resulted in monumental building, sweeping avenues, grand esplanades and celebrated bridges. Many of its older buildings have survived intact, having been spared the ravages of flood and fire and saved from Hitler's intended destruction. Moreover, they survive with a sense of continuity and homogeneity, as new sits comfortably against a backdrop of old - the glass Pyramid against the grand fortress of the Louvre, the Column of Liberty against the Opéra Bastille. Time has acted as judge, as buildings once surrounded in controversy - the Eiffel Tower, the Sacré-Coeur, the Pompidou Centre - have in their turn become well-known symbols of the city. Yet for all the tremendous pomp and magnificence of its monuments, the city operates on a very human scale, with exquisite, secretive little nooks tucked away off the Grands Boulevards and very definite little communities revolving around games of boules and the local boulangerie and café.
Architecturally, the Cathédrale de Notre-Dame, Sainte-Chapelle and the Palais du Louvre , in the city's centre, provide a constant reminder of Paris's religious and royal past. The backdrop of the streets is predominantly Neoclassical, the result of nineteenth-century development designed to reflect the power of the French state. Each period since, however, has added, more or less discreetly, novel examples of its own styles - with Auguste Perret, Le Corbusier, Mallet-Stevens and Eiffel among the early twentieth-century innovators. In recent decades, the architectural additions have been more dramatic in scale, producing new and major landmarks, and recasting down-at-heel districts into important centres of cultural and consumer life. New buildings such as La Villette, La Grande Arche de la Défense , the Opéra Bastille , the Institut du Monde Arabe and the Bibliothèque Nationale have expanded the dimensions of the city, pointing it determinedly towards the future.
